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PRESS RELEASE (17\/04\/2014)<\/b><\/p>\n
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Tuesday, April 22,<\/b> a Loano,<\/b> The last meeting of the seventh edition will be held. <\/b>by <\/b>\u201cFlying Disks...Close Encounters with Records, Books, Words and Sounds\u201d<\/b>, promoted by the\u2019Department of Tourism, Culture and Sports of the City of Loano <\/b>and organized by the\u2019Society of the Curious Association<\/b>.<\/p>\n
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Guests of the evening, which will kick off at <\/strong>21.00<\/strong>, <\/strong>at Civic Library<\/b>, will be the Perturbation<\/b>, who together with music journalist John Vignola will trace their artistic career back to the Lucio Dalla Press Room Award<\/b> received in the last edition of the Sanremo Festival.<\/p>\n \u00a0<\/b><\/p>\n I Perturbation<\/b> were born in the province of Turin, in Rivoli. The band is now composed of. Thomas Cerasuolo<\/b>\u00a0 item, Elena Diana<\/b> cello, piano and choirs, Gigi Giancursi<\/b> guitars and vocals, Christian Lo Mele<\/b> guitars and keyboards, Rossano Lo Mele<\/b> battery and Alex Baracco<\/b> bass guitar and backing vocals.<\/p>\n The debut came with \u201cWaiting to happen<\/i><\/strong>\u201d in 1998, the year in which the mini-album \u201c36<\/i><\/strong>\u201d. In 2002 the band decided to convert to Italian. The outcome of this decision is In Circle<\/i><\/b>, an album that quickly became one of the classics of national music, so much so that it was included in the list - compiled by the monthly Rolling Stone<\/b> - Of the 100 most beautiful Italian records ever. The tour of In a circle<\/i><\/b> will take the Perturbation all over Italy for 130 concerts<\/b>. Live activity is the band's strong point. The group, heir to the alternative rock of the 1980s (Cure, R.E.M., Smiths), shows a very rare ability to combine personal lyrics, while making them run through an oblique as much as catchy pop-rock sound. The songs of In a circle<\/i> become well-known among fans of independent music and lead to the next, highly anticipated album, Songs in the Mirror<\/i><\/b>. Perturbazione sign their first contract with Mescal (Subsonica, Afterhours, Bluvertigo etc) and with the artistic production of Paolo Benvegn\u00f9 comes in 2005 Songs in the Mirror<\/i><\/b>. In the wake of the success of this album, Perturbazione wrote and staged a show dedicated to Italian cities and how they have been sung and told by national music, from the postwar period to the present. Thus was born Cities seen from below<\/i><\/b> which then became in 2009 a limited edition vinyl collecting the best of the self-titled tour.<\/p>\n In 2006 a further leap takes place: the Perturbazione sign for Capitol \/ Emi. Thus, while Linus asks them to remake Taste of salt<\/i><\/b> For the closing theme song of \u201cDeejay Calls Summer,\u201d the band prepares Pianissimo fortissimo<\/i><\/b>: ideal third album that closes the trilogy of the band's formation. The album was released in the spring of 2007, anticipated by the single Beats per minute. <\/i><\/b>Pianissimo fortissimo <\/i>is well received live as well as by critics. After five years all in one breath comes a setback: the relationship linking Emi to Perturbazione is subject to artistic disagreements, so much so that they leave the multinational in 2008. In the meantime, the group decides to take up another show, entirely thought out and packaged in house. It is about Concert for draughtsman and orchestra<\/b>. After a year of reflection, preparations for the new album are in full swing Of our stolen time<\/i><\/b> (Santeria, 2010). The album-double, almost a concept about the metaphor of moving (affective, from one's country, literal and so on)-gets a great radio response. The album shows the new personality acquired by Perturbazione. Not only a band in the classical sense, but now also a<\/p>\n <\/p>\n <\/p>\n <\/p>\n ensemble that handles electronic programming and musical genres (folk, punk, techno, new wave), jumping fluently from one to the other.<\/p>\n United by a desire to push beyond what was experienced in Of our<\/i> stolen time<\/i>, Perturbazione begin writing a series of tracks for the next record. The six of them elaborate brazen tracks that contaminate the root of their sound with even more convinced electronic experimentation. Which - in addition to reaffirming their style and brand - puts the group's sound in 2013 at a now international level in terms of research and personality. The result of writing that is omnivorous yet light, curious yet ultimately pop, direct yet researched, Music X<\/i><\/b> contains a number of such diverse collaborations (Erica Mou<\/b>, Luca Carboni<\/b>, The Dogs<\/b>, in addition to the artistic production of Max Casacci<\/b> of Subsonica) to witness the creative unstoppability of Perturbation.<\/p>\n I Perturbation<\/b> with The One<\/b> e Italy as seen from the bar<\/b>, participated in the 64th Sanremo Festival (February 18-22, 2014) \/ getting the Radio\/TV\/Web Criticism Award <\/b>of Lucio Dalla Press Room, the 100 Radio Award and the Black Spot Blog Award.<\/b> awarded by the After Festival. A few days earlier, the prestigious Academy of the Crusca<\/b> judged-through the linguist Lorenzo Coveri<\/b> - the two songs submitted in the competition as the best ever for the 2014 edition.{:}<\/p>","protected":false},"excerpt":{"rendered":" {:en} PRESS RELEASE (04\/17\/2014) On Tuesday, April 22, Loano will host the last meeting of the seventh edition of \u201cFlying Disks...close encounters with records, books, words and sounds,\u201d sponsored by the Department of...<\/p>","protected":false},"author":2,"featured_media":2665,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-2676","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-news"},"_links":{"self":[{"href":"https:\/\/www.visitloano.it\/en\/wp-json\/wp\/v2\/posts\/2676","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.visitloano.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.visitloano.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.visitloano.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.visitloano.it\/en\/wp-json\/wp\/v2\/comments?post=2676"}],"version-history":[{"count":0,"href":"https:\/\/www.visitloano.it\/en\/wp-json\/wp\/v2\/posts\/2676\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.visitloano.it\/en\/wp-json\/wp\/v2\/media\/2665"}],"wp:attachment":[{"href":"https:\/\/www.visitloano.it\/en\/wp-json\/wp\/v2\/media?parent=2676"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.visitloano.it\/en\/wp-json\/wp\/v2\/categories?post=2676"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.visitloano.it\/en\/wp-json\/wp\/v2\/tags?post=2676"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}